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Refik Veseli followed them there to finish his professional photography training with Mosa.įor your security, we've sent a confirmation email to the address you entered. While hiding out at Veseli’s parents’ house, Moshe and his wife stayed in a barn while his children “lived openly as Muslim villagers.” After the liberation of Albania in October 1944, the Mandils left Kruja and re-opened their photo studio in Novi Sad, Yugoslavia.
Mosa found a job at a local photography studio, where Veseli was his apprentice, but Germany occupied Albania in 1943. Pleased with the images, the guards helped them escape to Italian-occupied Albania, where they settled in Kavajë and then Tirana, which they hoped would be safe. 1941 to May 1942, before Mandil won over the Italian prison guards by taking photos. According to the Jewish Foundation for the Righteous, Mandil’s family had been on the run for a while, and had even been imprisoned in the city of Pristina from Oct. Refik Veseli: A 16-year-old Albanian photography student who, in the fall of 1943, hid professional photographer Mosa or Mosche Mandil and his family, Jewish refugees from Yugoslavia, at his family home in the mountain village of Kruja. A green sweater that Keren’s grandma knitted for her before the war is on display at the United States Holocaust Memorial Museum. Socha fed and clothed the group, even bringing first-grade school books for the children, helping them remain hidden underground for 14 months.
Her father, facing deportation, had broken ground through an apartment into the sewage system, where their family and some dozen other friends were hiding out. Leopold Socha: A non-Jewish sewage worker who discovered a 7-year-old Kristine Keren and her family living in a sewer underneath the Lwów ghetto. Below are five such stories, compiled with the help of the United States Holocaust Memorial Museum in Washington, D.C., and the Museum of Jewish Heritage in New York City. Not all stories of non-Jews who actively helped to save Jewish lives during the Holocaust were so dramatic, or have been made into bestsellers, but of course that doesn’t make the stories any less important to share.
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